Example of the Locrian diatonic scale. Note the dark, inharmonious sound. The Locrian scale is difficult to work with due to so few harmonic intervals.
The opening theme to Rimsky-Korsakov's Scheherazade is, "simply a descending whole-tone scale with diatonic trimmings." See Abraham, Gerald. "The Whole-Tone Scale in Russian Music", p.602, The Musical Times, Vol. 74, No. 1085. (Jul., 1933), pp. 602-604.[non-whole-tone scale notes in red].
Here is something for your upcoming christmas carols. A scale created with the 32-bit plugin "bellsebuth" and a scale created with the 32-bit plugin "glass armanica".
This is a chromatic scale synthesized from musescore, using the piano sound from fluidr3 soundfont. Edited on audacity for changing from stereo to mono 16-bit. The tempo is about 130bpm. The register of notes spans from c4 to b4.
Making a scale of multiple instruments be hmm. . . Should i say "dazed and confused". The "dazed and confused" part has nothing to do with the audio, it is just a reference.
Sounds of the anordam, an experimental instrument that plays a 10-tone scale which consists entirely of perfect fractional divisions of the octave. The highest interval in the scale is 1/2, which means that for a given a value, half the octave will be left out of the scale.
New linear scale. Made in python. . . 200hz up to 2000hz and back in steps of 100hzi'm not that convinced the beep command outputs exact frequencies. . . And the sound is terrible. But it is a beep. . .
Miracle scale, derived from the secor (s = 116.72 cents), plus the difference between 10 secors and a perfect octave (q = 32.84 cents). MIDI pitch bend appears to match intervals. The Miracle scale is 0 1 2 3 4 5 6 7 8 9 0' s s s s s s s s s s+q The difference between s and q (r) is used in the File:Blackjack scale.mid.
Same program as in https://freesound. Org/s/457868/ butthe main clock (lfo_2) frequency is about 1hz. It's a minor scale?! as have split the octave in 5 equal parts. This strange scale sounds like a sort of minor scale.
This is a sample of a metal kitchen mixing bowl. The first note (c#, not perfect c#) is unpitched and recorded as is. The following notes are the original note pitched up 1 semitone each time to achieve a 13 note scale c# to c#.
This is a sample of a metal kitchen mixing bowl. The first note (b, not perfect b) is unpitched and recorded as is. The following notes are the original note pitched up 1 semitone each time to achieve a 13 note scale b to b.
A seven note scale (c c# d# f f# g# a#) over separate octaves. Some notes repeat in the same octave, but are slightly different samples. Each note starts on the grid of 100bpm. Recorded the samples a few years ago. From memory the original sounds are sections of acoustic guitar notes, manipulated, pitched and fx added.
Composed on the sigil scale c, c♯, e, f, g♯, a at 130 bpm. Wav. The sigil scale has 4 transpositions:. 1. C, c♯, e, f, g♯, a2. C♯, d, f, f♯, a, a♯3. D, d♯, f♯, g, a♯, b4. D♯, e, g, g♯, b, c. Left delay (phased) 25 ms.
This is my baritone guitar, with a mute under the strings at the bridge, to give it a percussive distorted sound. I've played a scale so it can be used as a samplepack.
I've bought this bamboo flute back in a days at the street market in kiev for some cents. It doesn't have certain scale or even clean pitches so has more decorative function in my room, still sounds interesting.